How we cite our quotes: Citations follow this format: (Book.Chapter.Paragraph)
Quote #4
'I ha' read i' th' papers that great folk (fair faw 'em a'! I wishes 'em no hurt!) are not bonded together for better for worst so fast, but that they can be set free fro' their misfortnet marriages, an' marry ower agen. When they dunnot agree, for that their tempers is ill-sorted, they has rooms o' one kind an another in their houses, above a bit, and they can live asunders. We fok ha' only one room, and we can't. When that won't do, they ha' gowd an other cash, an' they can say "This for yo' an that for me,'' an they can go their separate ways. We can't. Spite o' all that, they can be set free for smaller wrongs than mine. So, I mun' be ridden o' this woman, and I want t' know how?' (1.11.40)
Dickens campaigned hard for extending the right to divorce to all British citizens. The idea that you could divorce a spouse simply because your "tempers is ill-sorted" was revolutionary at a time when even the most horrendous domestic violence was tolerated as par for the marital course.
Quote #5
No word of a new marriage had ever passed between them; but Rachael had taken great pity on [Stephen] years ago, and to her alone he had opened his closed heart all this time, on the subject of his miseries; and he knew very well that if he were free to ask her, she would take him. He thought of the home he might at that moment have been seeking with pleasure and pride; of the different man he might have been that night; of the lightness then in his now heavy-laden breast; of the then restored honour, self-respect, and tranquility all torn to pieces. He thought of the waste of the best part of his life, of the change it made in his character for the worse every day, of the dreadful nature of his existence, bound hand and foot, to a dead woman, and tormented by a demon in her shape. He thought of Rachael, how young when they were first brought together in these circumstances, how mature now, how soon to grow old. He thought of the number of girls and women she had seen marry, how many homes with children in them she had seen grow up around her, how she had contentedly pursued her own lone quiet path — for him — and how he had sometimes seen a shade of melancholy on her blessed face, that smote him with remorse and despair. (1.12.36)
Clearly the novel considers a good, loving, companionate marriage key to leading a full life. No matter how good Stephen is at operating his power loom, and no matter how angelic a being Rachael is, both lives are wasted since they cannot create a home together.
Quote #6
[Stephen dreamed] that he, and some one on whom his heart had long been set — but she was not Rachael, and that surprised him, even in the midst of his imaginary happiness — stood in the church being married. […] Upon this, the whole appearance before him and around him changed, and nothing was left as it had been, but himself and the clergyman. They stood in the daylight before a crowd so vast, that if all the people in the world could have been brought together into one space, they could not have looked, he thought, more numerous; and they all abhorred him, and there was not one pitying or friendly eye among the millions that were fastened on his face. He stood on a raised stage, under his own loom; and, looking up at the shape the loom took, and hearing the burial service distinctly read, he knew that he was there to suffer death. (1.13.34-5)
A heavily symbolic dream about the way Stephen's marriage has turned out. His near-demonic wife is literally the death of him.